Case Study: The Stained Glass Beast from Start to Finish

All in a single firing

Today you’ll see the techniques I use to paint a stained glass beast. Yes, you’ll discover how to do it all in a single firing. This is just like I did it for our students in the Netherlands in July. And it’s just like I did it one morning a month ago when Stephen had his camera on. I’ve got lots of demonstrations for you to watch – eight, in fact – so let’s get going now.

Important

One last point before we start. You’ll need a good hour to read this article and watch the videos I’ve made for you. I’m saying this so you can be prepared. The information here is excellent. It’s also free. I don’t want you to miss out. So the best thing is, you know before you start how long the journey is.

Leaving Your Palette Tidy – An Experiment

This will save you time and money

You know how we recommend you paint with a lump of glass paint (not a teaspoonful) because that way you can just cut off a slice or two at a time and dilute it to any consistency and density you want?

OK, so let’s spend time today considering your whole palette and how to care for it.

Specifically, how to leave it when you’ve finished painting for the day.

And pay attention here because if you’re not doing what I’m going to suggest you do, then you’re wasting time and/or money.