I promise you a great video in a moment – how to mix your tracing paint.
But just let me tell you first about a funny thing which happened at the airport. (Thank goodness David likes dogs.)
But just let me tell you first about a funny thing which happened at the airport. (Thank goodness David likes dogs.)
You know how we recommend you paint with a lump of glass paint (not a teaspoonful) because that way you can just cut off a slice or two at a time and dilute it to any consistency and density you want?
OK, so let’s spend time today considering your whole palette and how to care for it.
Specifically, how to leave it when you’ve finished painting for the day.
And pay attention here because if you’re not doing what I’m going to suggest you do, then you’re wasting time and/or money.
A fine mixture today. Let’s begin …
Everyone knows something about the pre-Raphaelites in general and Edward Burne-Jones in particular.
But did you know this? That Burne-Jones wrote beautifully and also under-charged.
Some of you folks are forever teasing us about our soldering iron. I mean, here we are – Williams & Byrne – designing and making fabulous stained glass for fabulous houses: at the top of the profession, and yet we use gas to join the painted glass and lead. But my point is –