How To Paint These Stained-Glass Poppies

Method: combine simple techniques to create a powerful effect

This is a detail from one of a north-facing pair of lancets we’ve just completed.

Stained-glass poppies

The theme for these two lancets – “At the going down of the sun …”.

(Opposite them, south-facing, a second pair, whose theme is “… and in the morning || We will remember them”. You can find the full poem here.)

And I want now to take time-out from the work I’m doing on some new designs to talk you through the techniques I used to make the poppies

Maybe then, you too can use these same steps in the work you do. 

Have You Ever Looked At Your Work And Wanted To Rub It Off And Start Again?

But maybe you should hold your nerve

Everyone’s work sometimes looks a mess. But what matters is what it looks like at the end. For example, the other day, Stephen caught me “softening” some trace-lines, and he was struck by something he saw me do. (Softening is where you lay down a wash or matt on top of unfired trace-lines, then blend gently while the wash is wet. This turns the trace-lines into gorgeous shadows.)

Stained glass painting: before the highlights

What he saw me do was: he saw me carry on – even though what was on the light-box looked absolutely awful.

Is Your Hake Brush Tougher Than You Think?

Today: a tip I've used and tested these 15 years

Today I want to share some understanding of two big topics:

hake brush stained glass painting
  1. How you paint a better undercoat
  2. How you treat your hake

I’ll even talk face-to-face with you over my light-box and show you what I mean: such is the joy of video (for those of you who have this technique-packed e-book).