Grind a lot, and don’t add too much water:
That’s the secret. Just add some gum Arabic and a little water. Then grind and mix and grind and press some more. That’s how you make a perfect lump of glass paint.
Now for the fascinating proof.
That’s the secret. Just add some gum Arabic and a little water. Then grind and mix and grind and press some more. That’s how you make a perfect lump of glass paint.
Now for the fascinating proof.
Someone might wonder:
“Ceramic paints are cheaper than stained glass paints. They also come in many different colours.
So is it possible to paint stained glass with ceramic paints, rather than the proprietary ones?”
This is such a useful question because it has an interesting range of answers.
OK, so let’s say you’ve made your lump of paint (not a teaspoonful as the books so wrongly say). You’ve also discovered the benefits of diluting it a little at a time to make the consistency and darkness of paint that you need for your next sequence of brush-strokes.
And then it’s time to stop for the day.
But when you return, of course your lump of paint is dry. Really dry. Dry as a bone in fact.
What do you do to bring it back to life?
Here’s a check-list for anyone who is starting out as a stained-glass painter: