A colleague in the US wrote and asked us whether we’d used lead-free glass paints.
We hadn’t.
So we decided to give them a try.
And here’s what we discovered.
A colleague in the US wrote and asked us whether we’d used lead-free glass paints.
We hadn’t.
So we decided to give them a try.
And here’s what we discovered.
Becky D., from Stoke-on-Trent, England, asked about gold paint.
“I am currently painting an art nouveau style lady for a centre insert into a leaded light. I’m mainly using antique browns and silver stain, possibly with some coloured enamel details for jewels. Now the customer has asked if it is possible to use gold on the headpeice. Do you know if gold paint is available anywhere? So far I can only find hobby paint, and I don’t wish to use that!”
We’ve tried tracing and shading paints from all over the world. But we always come back to Reusche.
Reusche’s glass paints mix together to make the lump of glass paint that permits us to do the kind of glass painting we enjoy. (Other brands of paint collapse like slugs with salt on them, or like a beached jelly-fish roasting in the sun.)
Also, Reusche’s “tracing” paint works a dream for both tracing and shading, so there’s no need to swap paint.
We mix Tracing Black (DE401) with Bistre Brown (DE402) or sometimes Umber Brown (DE403) or Tracing Brown #1 (1134). We use about 3 parts black to 1 part brown. These paints mix beautifully together.
Why do we add brown?
If you also use Reusche, then it’ll be easier for us to advise you in case you ever have any questions.
In Europe, PELI offer you an excellent service. See here for stained glass paints.
This is not an advert for Reusche or for PELI Glass Products. We don’t take commission. We just use the paint and write this blog.