First the Process, second the Backstory, and then we’ll talk about the Why.
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Does Old Glass Sag At The Bottom?
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Or: “The Tale of the Stained Glass Designer and the Naked Scientist”
“Not the BBC again!?!”
Here’s what happened …
David and I were working away, minding our own business, and finishing off the fourth set of brand-new windows that we’ve been making for a mansion on the shores of Lake Geneva, when the phone rang.
It was the BBC.
A radio producer wanted to know if old glass was thicker at the bottom.
The reason is, glass has a name for being a “super-cooled liquid” (just as Williams & Byrne has a reputation for being a super-cool stained glass design studio.)
Silver Stain – Memories and Confessions
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When anyone’s always been told to do something in a particular way, and then suddenly they think:
“But wait a moment, this doesn’t make sense!”
And they head off in a new direction and things work out for them there – well, the story’s interesting.
It’s interesting because it shows how all of us can think for ourselves, and also work together with like-minded souls, to do the kinds of things we’re meant to do …
Oil Vs. Propylene Glycol
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The pros and cons of each:
As you’ll know from our studio manual, Glass Painting Techniques & Secrets from an English Stained Glass Studio (you can get a sample chapter here): once you’ve finished all the tracing, shading and highlighting you want to do with glass paint and water (and gum Arabic), then it’s often a good idea to carry on with glass paint mixed with oil (and no gum Arabic).
And then – you fire your glass just once.
OK, so the advantages of oil are … ?