Tracing – how to hide the evidence …
This morning with our students, it was Gothic Revival / medieval faces.
After lunch – by way of contrast – gargoyles and other monsters.
And with all this detailed line-work, the following conversation was inevitable.
Be sure to read to the climax of this tale, because you’ll find a really useful tip.
Problem #1: “When your glass is on top of your design – as it is with tracing – it’s so difficult to judge the darkness of your lines. – And it’s also really difficult to register them precisely with the lines on the design beneath …”