There’s a useful forum called AllExperts.com – the “oldest and largest free Q&A service on the Internet” where we answer questions on stained glass painting from around.
So last week we got a interesting question from Montreal …
Cindy Whitehead from Cleburne, Texas wrote to say her first silhouettes had blistered in the kiln when they were fired.
What went wrong?
And I’ll keep you guessing for a moment longer because otherwise it’ll spoil the fun …
Today you’ll see the techniques I use to paint a stained glass beast. Yes, you’ll discover how to do it all in a single firing. This is just like I did it for our students in the Netherlands in July. And it’s just like I did it one morning a month ago when Stephen had his camera on. I’ve got lots of demonstrations for you to watch – eight, in fact – so let’s get going now.
One last point before we start. You’ll need a good hour to read this article and watch the videos I’ve made for you. I’m saying this so you can be prepared. The information here is excellent. It’s also free. I don’t want you to miss out. So the best thing is, you know before you start how long the journey is.