OK these two technique-packed DVDs cost you money, sure …

Maybe you consider it’s a lot of money when there are always other calls on your wallet …

But if you reckon it’s expensive, I wonder what there is to compare it with?

Maybe you’ve seen other glass painting DVDs?

Yes – there are a few (a very few).

So here are some really good questions:

Do other glass painters make themselves available to answer your questions? (No they don’t)

Do other glass painters give you a whole forum for you to comment and enquire? (No they don’t)

There’s no comparison.

Maybe other DVDs cost less and are cheap.

But these DVDs are best value. Cost and value are not the same.

If you don’t see how these DVDs will save you so much time, money and frustration … if you don’t see how these DVDs will help you paint glass better, then – yes – I’ve failed to communicate what you (if you work hard) will get from it, and I am sorry about that, because I’ve failed you there.

Just please do consider what your time is worth.

If we can answer just one question from you, solve just one problem – how much is that worth to you?

Will you get that kind of help from ordinary DVDs?

I don’t think so.

Figure out what’s best for you.

For more information about the double-DVD box set, see here.

For the digital editions, please see here.

All the best,

Kiln-fired stained glass painting – watch and copy is the best way to learn

Two-DVD box set, 8-page booklet, 36 designs, digital download for immediate access

See here

60-day risk-free money-back guarantee

Four more heads for you – none of them mine!

Hello there!

Well, we always like to give you more than you expect.

Now since you got Part 1 of Designs & Observations, we figured how another four heads would suit you nicely.

Free.

There’s nothing extra to pay.

The price is soon going up so you definitely got the best deal by getting in early. Remember that next time!

Just click here and you’ll get the complete set of nine.

I repeat: this is free – there is no extra charge. The heads are here.

Bonus designs for you!

And can I please ask you for a favour?

Please will you tell us what you think about the designs … are they useful? can we improve the series? what kind of designs would help you?

Whatever occurs to you … it’s so helpful to get your comments.

And they also help guide newcomers – people who don’t know us like you know us.

So either click here and send me a message or write a comment in the box below.

Thanks so much! I really appreciate your help.

All the best,

Thanks for coming over, and like I said, I’ve a good piece of advice I want to give you – always do this before you start …

Excellent advice coming up in a moment

But first, Miss Frankenstein.

Now Miss Frankenstein was a low-budget horror film made late 60s / early 70s.

And you might well wonder about its important historical connection with your chosen subject, stained glass painting.

Yes, you might wonder.

But you will never guess. So let me help you here. Let me tell you the plot.

Miss Frankenstein – the plot

Imagine a lonely mansion atop a hill. High, high up. Lonely and creepy. Dark, too.

Said lonely mansion is home to an equally lonely hunchback.

And said lonely hunchback is desperate for a female companion, so of course he makes one in his laboratory.

(1) This looks nothing like me (too much hair), and (2) I am happily married, thank you!

Next, with the usual electricity and sparks, he succeeds in animating his woman.

Arise, Miss Frankenstein (naked)!

The hunchback is delighted, Miss Frankenstein less so. And, rather than give in to her master’s wishes, Miss Frankenstein drinks this potion she finds (it’s just lying around).

Result – Miss Frankenstein becomes a zombie.

Which means the hunchback is now in for a night of terror (not titillation) as Miss “Zombie” Frankenstein chases him around his lonely house …

Great stuff, eh?

Now you joined this newsletter because of your passionate interest in stained glass.

So what’s the connection here?

The tycoon’s 16 skylights

Well, the other week we got our final payment from the tycoon for his 16 stained glass skylights.

Do you see the link now?

The skylights look magnificent. That’s why the tycoon paid us though they’re still in our studio and not yet installed. It’s because he wants them to be … his, all his!

“Yes?”

Well, the skylights’ theme is a little bit strange: monsters, beasts, dragons, gargoyles …

One of the tycoon’s stained glass monsters …

And as for the tycoon’s house – it’s huge – it’s on top of one of the hills in London (yes, the hill is so high, it’s where they lit a beacon to carry news of the Spanish Armada).

“Go on …”

And the whole area is also rather lonely … kind of creepy …

“Get to the point!”

Really?

“Yes, really.”

His house is where they filmed Miss Frankenstein …

“Ah.”

I found this out by accident just yesterday when I was doing research to write the project’s case-study.

Your free advice

So my free advice to you is:

Always research your client and their home thoroughly before you start their work.

If you’re going to be working on a horror/sex-romp film-set, it’s good to know this before you start.

Truly – experience is a wonderful thing.

Happy glass painting!