Suppose you read a sentence in a book which says:

Glass painting has a slow and steady pace”

Yes, we all understand the words, but do we understand the sense? I mean, how successful are the words in getting you to copy what the master glass painter does?

Not very.

That’s my point: what does “slow and steady” mean when you’re talking about glass painting? It’s impossible to know from plain words or pictures which don’t move.

Now watch this short clip:

ust watch the steady pace, the rhythm: don’t you think it’s all much clearer now? And that’s a triumph of this film: you see real glass painting very close-up.

You won’t get that from a book.

And, unless you happen to know a friendly master glass painter who will let you sit and watch him or her all day – you won’t even get it in real-life.

But you will get it from this film.

Here’s another example. Most people are completely in the dark about how to trace. Most people are so used to holding biros or felt-tipped pens, they haven’t a clue about how to use a tracing brush. You see, unless you’ve used a brush all your life, you must unlearn so much.

So suppose your book tells you how, when you trace, you must focus all your attention on the brush’s tip.

And once again I ask you, What would you learn from this instruction?

The answer is, Not much. After all, the brush’s tip is so completely unlike the metal ball in a biro of the plastic in a “felt”-tipped pen, there’s no way most people can begin to imagine what is meant here.

So once again imagine that, instead of reading how to paint stained glass, you watch it being done, before your very eyes:

Tell me honestly: do you know another place where will you learn about the importance of the tracing brush’s tip? Have you ever seen the brush’s tip at work like this before? It’s the kind of thing which every master glass painter knows by instinct yet doesn’t tell you (can’t tell you, because she/he’s a painter not a teacher).

But it’s the kind of useful detail this film is packed with.

This technique-packed 3-part download – Glass Painting Techniques & Secrets from an English Stained Glass Studio – is like no other glass painting book you’ll ever use.

“Finding you has been like stumbling on a pot of gold” (Simon Morgan-Howard, Wales)

How to trace and shade, front and back, with oil and water in just one firing.

Plus … How to silver stain with confidence:

• Read the 3 instalments with their 100s of photos and clear explanations
• Watch the bonus videos
• Try things for yourself
• Ask us questions (terms apply e.g. you must work hard yourself)

As you’ll soon see, we’ll always give you the best information we have.

Here’s what other people say about their experience of working with us in this way.

“Absolutely clear! Wonderful”

“… brilliant, informative, easy to understand” (Tess Richardson, Kent, England)

“… your gorgeous work and clear instructions” (Roxane Gilbert, Wisconsin, US)

“Your guides are the best!” (John Martinez, California, US)

“… your material is so much easier to understand than other books I have seen” (Sonya Conlin, Kent, England)

“… a very wonderful read” (Michaela Helliwell, Ontario, Canada)

“Your e-book is great … really clear instructions and photos” (Julia Morgan, Rhoose, Wales)

“I recommend your book highly!” (Deb Young, Arkansas, US)

“Outstanding!” (Anthony Potts, Illinois, US)

” … your wonderful communication skills” (Julie Schapman, Louisiana, US)

“Absolutely clear! Wonderful!” (Rosie Daniels, London, UK)

“It has it all”

“Your e-book is well worth the price: it goes into more detail than Albinas Elskus’s book, and it is more in-depth than the course I took in California” (Bill Hall, Ohio, US)

“… the most complete information of the entire picture of glass painting” (Dave Kimmel, Pennsylvania, US)

“This guide gives the additional information that I would not find elsewhere” (Joanne Legault, Manitoba, Canada)

“I am very pleased with the e-book: it’s very informative indeed” (Bob Jackson, High Wycombe, England)

“This e-book has it all!” (Dave Bird, Utah, US)

“This will change the way I paint stained glass …”

“I don’t yet paint stained glass, so your advice is extremely precious for me” (Ewa Nerkowska, Warsaw Poland)

“Your articles are a great help for us in our studio” (Ab Evenhuis, Veldhoven, Netherlands)

“I would like to tell you that I very much enjoy your chapters on glass painting: they help me to produce projects with a better understanding of the art” (Joanne Legault, Manitoba, Canada)

“Your e-book will change the way I paint stained glass” (Ken DeLeeuw, New York, US)

“It worked like a dream …”

“All your tips and careful instructions have meant we’ve been consistently successful” (Chris Thomas, Salisbury, England)

“Excellent tips and techniques” (Brad Clague, Washington, US)

“… practical, easy-to-follow, and very helpful” (Jeff Hitch, Mission Viejo, California, US)

“Your technique helped me so much because I did fewer firings” (Claraines Gomez, New Jersey, US)

“Your step-by-step instructions were just what I needed, particularly in regards to mixing paint and preparing a palette” (Linda Zorichak, Wiesbaden, Germany)

“I am learning more from the information you have supplied me with than from anywhere else” (Rebecca Cashin, Minnesota, US)

“Shading has always been a tough job to me: this guide has explained it very elegantly and in detail” (Varsha Unchali, Bangalore, India)

“Your e-book is helping me already” (Jane Bowen, Georgia, US)

“… the most helpful guide on the subject” (Simon O’Connor, Nottingham, UK)

“… superb – exactly the kind of detailed help I needed – innovative and easily accessible” (Jane Hodson, Sheffield, England)

“Very helpful and informative” (Charlotte Pennington, Port St. Lucie, Florida, US)

“Of all the books I have looked at in the library your chapters are the most helpful” (Eve Hamner, California, US)

“The guides and instructions are so well thought out and they’ll be a great help” (Wenna Currie, Devon, UK)

“Thank you for the information on painting on glass. It has been a blessing” (Jeanne Scarpato, New Jersey, US)

“As a ‘younger generation’ teacher, I find resources like yours very useful” (Lenka Ticha, London, England)

“I tried what you said and it worked like a dream” (Judy Albright, Texas, US)

” … a great resource”

“Until I found your site it was such a struggle!” (Stuart Mortimore, Lancashire, England)

“Your guides have filled in many gaps in my painting education” (Amanda Simmons, Castle Douglas, Scotland, UK)

“It’s a great experience to learn these new techniques” (Fábio Leite de Moura Fonseca, Sao Paolo, Brazil)

“You guys are such a great resource” (Tim Strausberg, Michigan, US)

“I feel like I am part of your studio …”

“I am absolutely amazed at the quality of service you give me” (Julia Williamson, Ontario, Canada)

“Thank you for answering my questions and for the advice you provide. Your great service far exceeds my expectations and the price I paid for your e-book” (Carlos Umaña, Florida, US)

“Thanks again for all your help and extremely useful information on your website” (Julian Podmore, Brisbane, Australia)

“Your information is useful, your interest is priceless” (William Sweet, Hopkinsville, Kentucky, US)

“I feel like part of your studio after receiving all the follow-up material and knowing you are just an email away. I am so inspired!” (Lynn Hamrick, Pennsylvania, US)

“… the beautiful things I can paint with your help”

“I really enjoy learning your easy-to-follow, helpful techniques – such a treasure trove of ideas!” (Shereen Timmerman, California, US)

“I am so excited by your e-book – it’s inspiring me to get cracking again on my stained glass after many years absence!” (Sara Alexandra, Brighton, England)

“You’ve given me a gift I cannot repay: I have wanted so much to get good instruction, and now at last I have” (Kara Unland, California, US)

“Thank you for inspiring me” (Stephanie Lostimolo, Oregon, US)

“I’m really encouraged to see people like yourselves who are so generous with your knowledge” (David Engelking, Brisbane, Australia)

“I can’t wait to have a go! What lovely people you are” (Julia Holdcroft, Bexhill on Sea, UK)

“Thanks so much for all the tips and information” (Eve Hamner, Nevada City, US)

“Now I can really imagine the beautiful things I can paint with your help” (Adela Segura, Guatemala)

“Great service …”

“Thank you for your prompt action and advice” (Mikiya Arai, Japan)

“I’m so impressed with your service and speed of delivery. Your information is great too and I look forward to putting it into practice” (Mandy Wood, Dargaville, New Zealand)

“I am so impressed by your service” (Richard Carder, Milton Keynes, UK)

“Most impressive service and great follow up” (Paul Hollis, Kenley, England)

“Everything downloaded beautifully, and the information looks very helpful” (Catherine Woods, St. Petersburg, Florida, US)

“The information in your glass painting e-book is extremely helpful – not to mention your prompt email replies” (Charlotte Pennington, Florida, US)

“Many thanks, great service” (Martin McAssey, Sheffield, UK)

Wherever you are …

“I can’t tell you how much I appreciate you sharing your knowledge” (Peter Reardon, Texas, US)

“I’d like to say a huge ‘Thank you’ for all your dedication to the cause and for your kind support and advice” (Patrick Gilooley, Grangemouth, Scotland)

“You are simply exquisite: thank you very much for your wonderful activity” (Mafalda Castellani, Rome, Italy)

“Thank you for your excellent e-book and outstanding customer service” (Calvin Carter, Saskatchewan, Canada)

“A big thanks for all the good information” (Gary Surgey, Goring, England)

“… very clear and well illustrated: congratulations” (Claude Thorval, Conches, France)

“Thanks a million for the information” (Nick Callan, Santiago, Chile)

“I’m enjoying working my way through your e-book” (Pat Kenderdin, South Africa)

“Your e-book is amazing!” (Mona Moselhi Nafae, Alexandria, Egypt)

“… full of great information. Seeing it being done just makes it even easier to understand” (Francesca Boone, New Jersey, US)

“I am so lucky to have your excellent e-book and you are so kind to teach me so much” (Maria Chang, Yonghe City, China)

“I can’t wait for more to become available” (Peter Williams, Mount Glorious, Queensland, Australia)

“… people like you who are prepared to give these secrets to others” (Ivo de Croock, Antwerp, Belgium)

“Thank you for your very impressive and helpful material” (Claire O’Halloran, West Kerry, Ireland)

“Thank you for the wonderful and free-flowing fountain of knowledge that you so generously impart” (Jeanette Austin, Florida, US)

“There is one thing I don’t understand in your studio … the name: why ‘Williams & Byrne Limited’ when you are unlimited?” (Filippo Podeschi, Italy)

“… very good and professional” (Anniki Rosberg, Hämeenlinna, Finland)

Packed with photos so you see exactly how to paint stained glass

“Many thanks for your great e-book and guides: brilliant!” (Pete Hendey, Chelmsford, England)

“Congratulations on an excellent e-book” (John Wilson, Beccles, England)

“Thank you for preparing such a lovely e-book” (Kathy Colburn, Texas, US)

“What nice people you are to share your joy and knowledge of glass painting” (Karanita Ojomo, Virginia, US)

Clear and simple explanations which you won’t find elsewhere

“Great stuff, guys! Thank you for putting a wonderful gift of knowledge out there” (Jeff Spencer, Texas, US)

“Your downloads are excellent” (Shelja Sehgal, Hertfordshire, England)”You are so full of good information” (Jan McCarter, South Carolina, US)

“I really enjoyed reading your book and loved the level of detail you provide” (Karla Renfrow, Oklahoma, US)

“Your e-book is wonderful, your work is inspiring” (Sophie d’Souza, London, England)

“You guys are truly the Masters!” (Irene Campbell, Michigan, US)

“… very well written and illustrated” (Judy Albright, Texas, US)

“What a great e-book and with such invaluable information” (Melissa Vogel, Oxfordshire, England)

“Just wanted to thank you for the excellent e-book!The photographs are very good, the writing is exceptionally clear, and each chapter led to a fuller understanding of how to successfully paint glass. You’ve set a new standard for work in this area” (Terry Brawley, Florida, US)

Ask us questions

“Brilliant and informative” (Hil Gibbs, Barwick, UK)

“I can’t thank you enough” (Maurice Mahler, New Jersey, US)

“Great reading!” (Amanda Beasley, London, UK)

“You fellows are great. I’ll love to meet you sometime!” (Marianne Parr, Georgia, US)

“Excellent work: I always enjoy reading about your wonderful techniques and seeing how it’s actually done” (Jerry Quinn, Virginia, US)

“I love the information you offer online and I look forward to the forthcoming chapters” (Deborah Wilcox, Corrales, New Mexico, US)

“When does the next installment come out? – I can’t wait!” (Jacqi Fitting, Washington, US)

“Thank you for capturing your studio’s experience on paper: the chapters are great” (David Thompson, Fredericksburg, Virginia, US)

“Your lessons are wonderful and they have been very helpful to me” (Sandra Manzi, Ontario, Canada)

” … very detailed and easy to follow” (Richard Bancroft, Foxboro, Massachusetts, US)

“I can’t begin to thank you enough for your beautiful e-book. I am so excited to read it. Your work is absolutely gorgeous!” (Kevin Thornhill, Florida, US)

“I am delighted with your e-book: what a lot of work you have put into it. Bravo!” (Kenneth Leap, New Jersey, US)

“… an eye-opener”

(Stephen Chapman, Maryland, US)

Plus exclusive online video demonstrations just for you

Click here