Yes, even with large stained glass windows which will last 500 years, clients often say they want it done by Christmas. So it’s been hugely busy in our studio. Which means: our tips and videos will start again in January. In the meantime, if you’re new here, see here for a free chapter.
Welcome to Part 3 of this mini-series on oil-based stained glass painting.
Anyone who’s just joining us today, you’ll find Part 1 right here.
And before we get going today, there are a few questions from the audience …
We hope your year went well.
For us, it’s been a roller-coaster ride – what with the Fibonacci window and an interview with the Financial Times: then …
It’s day #1 of an intensive five-day glass painting course for “long-haul” students who’ve travelled to our studio in Stanton Lacy (see my previous post for your nerve-jangling introduction and an absolutely breath-taking 90-second video).
Our students arrived two days ago to settle in and recover from their jet-lag. And today, refreshed, we went on a whirlwind and empowering tour of undercoating, tracing, strengthening and flooding – the foundations of traditional kiln-fired stained glass painting.
Now … we promised you various tips and updates live from the studio.
Today’s key tip is useful if:
Interested? Then let’s get going …