Do a face on white glass in strong outline only: step back, and the face goes to nothing; strengthen the outline till the forms are quite monstrous – the outline of the nose as broad as the bridge of it – still, at a given distance, it goes to nothing; the expression varies every step back you take. But now, take a matting brush, with a film so thin that it is hardly more than dirty water; put it on the back of the glass (so as not to wash up your outline); badger it flat, so as just to dim the glass less than “ground glass” is dimmed; – and you will find your outline looks almost the same at each distance. It is the pure light that plays tricks, and it will play them through a pinhole.”
Stained Glass Work by C.W. Whall - Chapter VI
(London: John Hogg of Paternoster Row, 1905)
If you want your own copy of this fine book, seek out one with illustrations; Abe Books is a good place to look for a second-hand copy.
And my suggestion for a glass painter’s prayer is,”Please may the light not play its tricks on me”.
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